Old Release Wednesdays!
re:fresh 2003 team (LifeEast Bible College) - The Word
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The Word // El Verbo

Since I didn’t post last week, this week you get a double-feature!

As part of the second LifeEast worship CD, About You, we recorded this song called, The Word both in English and in Spanish (El Verbo). Since our drummer for the album was more of a “rock guy” and didn’t want to learn to play the Latin groove for this song, I had a lot of fun playing drums on it! I also got to co-sing the lead vocals on the English version, which made for a nifty duet. Since I don’t really habla and Gabriel did, he sang on the Spanish version, but we asked a friend of mine, Irvin, to sing the other lead part for El Verbo.

We recorded the album in Blacksburg at Rick Kraniack’s Reel To Real Studio which was a great experience both because the environment was fantastic for recording, and also because the location was only 20 minutes from campus, we could come and go as needed while not having to pull our students out of classes as much when recording.

I hope you enjoy both renditions of this song. Have a happy week!

Song Credits:
Words by Ernesto Loera; Music by Luigi Peñaranda
Lead Vocals: Gabriel Rodriguez, and Fritz Schindler (English) Irvin Johns (Spanish)
Electric Guitar: Brandon Lucas
Classical Guitar: Luke Eichelberger
Piano: Irvin Johns
Bass: Dan Lee
Drums: Fritz Schindler
Percussion: Gabriel Rodriguez, Sarah Ruggerio, and Crystal Neubauer
Backing Vocals: Lorraine Brown, and Heather Broughman

Waiting For Daylight - Yesterday, Today & Forever
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Yesterday, Today & Forever

This is one of five songs our band Waiting For Daylight recorded live at New Horizons Church one evening in October of 2007 (thus the album name, Fall ‘07: Live!). There are some great moments, a few flubs, and a lot of fun. The audio was recorded through the church sound board and into GarageBand via four subgroups: vocals, bass & drums, other instruments, and audience. I was able to go in and adjust some volume levels afterward, but that was it, so this is truly a live album!

Yesterday, Today & Forever is a favorite of mine to sing on my own when worshiping or when leading a group. It’s a song of declaration that God is who He said He is, and that He is always the same. I find that both comforting and invigorating at the same time. The echo part is something I came up with to use instead of the original bridge because it better fit the way we play the song—more upbeat and punchy—and gets the audience-worshipers more involved in a call and response, which I also think is funner.

Waiting For Daylight was a band I enjoyed being a part of from 2006 - 2008. We got the opportunity to play for folks regularly at a local Mexican restaurant, often for youth rallies, and also opened for the rock group, Nevertheless at Radford University at a student-run event called Amplified Bandfest.

I miss getting to play regularly with my ol’ WFD bandmates, but am thankful to still get the chance to play with some of them on occasion, which is always super. Especially since we’re not together as a group anymore, I’m so glad we have these five songs recorded to help us remember the fun times we had makin music together as a group!

Song credits:
Yesterday, Today & Forever - by Vicky Beeching
Amanda Dillard - drumsset
Matt Hall - bass
Adam Hall - saxophones, vocals
Fritz Schindler - vocals, acoustic guitar
Jonathan Mayer - keys, electric guitar, vocals

Free Stuff - Mercy Is Falling
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Mercy Is Falling…

…Like a Sweet Spring Rain
Well, sort of. This last week while I was sick we got bucket loads of rain here in the New River Valley. I’m posting this particular song in honor of last week because the irony of it all makes me grin. The rains we had (and the nearby tornadoes) were not so sweet…but the sun’s back out again now so that makes smiling about it all that much easier—and sweeter.

The band was called Free Stuff (we hoped it would look inciting on concert flyers and draw a crowd); the venue was the small chapel connected to a large church; the event was a weekly, free-flowing worship gathering called Ignite the Light; the college was Berea; the town was of the same name, located smack-dab in the middle of the beautiful commonwealth of Kentucky.

The song was Mercy Is Falling, one with which we often started our gatherings. It was sort of a call to worship. A reminder that God is ever-present in the midst of our troubles and triumphs, and that we can come to Him in this very moment—every moment—and receive His gentle cleansing or even a good hard scrubbing if we need it. We’d often go from this mid-tempo, gentle / upbeat song into one of our more rockin’ tunes and from there, to who-knows-where each week, but somehow this tune struck a chord with many of us and resonated as a good way to begin. A way to say, “We are here. Together. And we want to worship God freely with our songs and fully-abandoned expression. We receive Your grace.” Hey-oh!

Ignite the Light was a unique worship experience at the time in Berea, KY during the three years it existed (1997 - 2000). Fully student-initiated and led, we were a group of guys and gals who loved God and wanted more of Him (what that exactly meant we weren’t quite sure sometimes) but we did know we weren’t fully satisfied with what we were experiencing in the traditional worship methods found in the churches we grew up in and that were available to us in the area around the college we were attending. It was in a way, our own little Jesus Movement. Somewhat of a rebellion from the ways of the older folks (our parents, folks over 35, etc.) and also an exploration of what it meant to follow after God on our own when out from under Mommy & Daddy’s wings. It was an exploration. A journey. We came with anticipation (most weeks), eagerly desiring an encounter with God and to come away changed, not quite the same as when we walked in.

This song, to me, represents a glimpse into that era of my life. I’m sure I’ll write more about those times later. I wrote a couple of paragraphs just now but got off into wandering thoughts about the past and the present which made things rather jumbly. I decided I probably need some clearer thinking first to make it a better read so I’m saving that for another time.

The recording was made on cassette tape using my trusty, hand-held tape recorder, found in its usual place most weeks on the front row pew of the chapel. I was really into the British worship band, delirious? at the time and hoped to catch some wonderful live bit from the goings-on and make a record with it like they had. I’ve learned a lot about sound since then and realized that really wasn’t a likely happening. Oh well. Our “sound system” was an amalgam of guitar amps, several of which had two input channels so we’d run a guitar in one and a mic a voice through the other. The sound wasn’t great, but we got it out there the best we could.

For now, I’ll finish off by adding in the band info below and of course, the recording itself, above. As always, thanks for listening and reading!

— Fritz

Free Stuff was:

Shawn Ide - lead & harmony vocals, djembe, various percussion
Fritz Schindler - lead & harmony vocals, acoustic guitar, and occasionally swapping with someone else to play bass or drums
Mike “Chappy” Chappelear - bass, and usually the one who did the speaking / preaching / teaching part each week at ItL
Chris Mapes - electric guitar, and skateboarding
Lance Galloway - drumset

(I didn’t post an ORW last week because I was sick. This is the make-up post from the following Monday.)

re:fresh 2002 team - The Way That I Should Grow
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The Way That I Should Grow (God Is Great)

Isn’t that a spiffy title? (And by “spiffy” you know I mean looong?)

This is, I believe, the second song I wrote with words. (The recording I have of the first one with words is quite hilarious and I look forward to sharing that on a future ORW post. Cue anticipation…now.)

I got the initial idea for it out of nowhere just before I was about play piano for a Sunday evening worship service at the local Methodist church in my town. While washing and drying my hands in the wonderfully echoy Methodist restroom, I started singing the “God is great and God is good” line and thought it was worth flowing with it for a few minutes, and perhaps even be write-down-able. I sat down at a nearby piano in the choir room with pencil and paper, writing and plunking on the piano. Thirty or so minutes later, I emerged from the choir room and took my usual spot near the piano in the church sanctuary. It was about halfway through the service by this time (it was a pretty informal service) and I felt a little sheepish about having missed the first part. After a few minutes someone asked what I had been up to, to which I responded, “I think I just wrote a song.” The friendly folks asked to hear it, so I proceeded to play the chorus and first verse for them. That was quite fun! The second and third verse were added a few weeks later and I felt like the song was complete.

This version of TWTISG (GIG) was recorded in Nashville for LifeEast’s first original music CD, called re:fresh, and it ended up as track number seven out of nine. All of the songs on the album were written and performed by LifeEast students and myself over the course of an extended weekend in Nashville at two different studios, one for most of the instruments and the other for vocals and percussion. Dave Zaffiro was at the helm as our fearless producer. It was really cool to work with him because, A. He is a cool guy to work with; and B. He produced the first two Passion Band albums in the late ninety’s, of which I was / am a great fan. I learned a lot in the experience and am really grateful that I got to be a part of the re:fresh project, wearing many musical and directorial hats.

If I could change anything about this recording of the song, it would be to add in the great harmony vocals we had practiced but ran out of time to record, maybe re-do the keyboard solo, and probably sing the third verse the way I originally wrote it instead of with a handful of words omitted per the request of the executive producer, because it was too “wordy.” I definitely agree that the song is wordy. I mean, just reading the title should be a clue you’re in for an earful of lyrics! Oh well. Maybe I’ll re-record it someday. Until then, I still really like this recording of it and am happy to have it to share with you.

There’s some background about this song. I hope you enjoy it! Please post comments on Facebook or Twitter if you have ‘em. I’d love to know what you think about any of the Old Release Wednesday tunes I’m sharing.

Thanks for listening!

You Are My Joy (rehearsal)

Song Story
This video is of Dug Hampton and his band (of which I am a part) rehearsing the day before the CD release shows in November 2009. Playing with Dug is always a fun time and getting to prepare for releasing his first CD together with Amanda and J.D. was incredibly over-the-top!

I have always loved playing great music with great friends who are also great musicians. In a word, it was great. What takes it to a completely “wait, it gets even better” kind of level, is that we were all singing and playing to worship our God. Leading the crowd of people who came to join along with us in worshiping Jesus somehow always takes it to a level of “uh-maz-ing” beyond that.

It is such a privilege to get to worship God through music and leading other folks to do so, too, has always been one of my favorite things in all the world. It’s something I’m gifted to do and absolutely love. I’m so glad that Dug invited me along for the journey that was making his CD and got to help tie the big blue ribbon on the package as part of the release shows.

Barry came to our last rehearsal to be better prepared to film the concerts. However, at the last minute, he was unable to come to the shows. Thus, what we have instead of concert footage is this fun, raw, energetic, wonderfully noisy, and joyful rehearsal video instead. It’s definitely got some mistakes and some stellar moments. I hope you enjoy it as much as we did!

Credits:
Song - You Are My Joy, by David Crowder*Band
Videography - Barry Keller [DidaskoFilms.com] (did I tell you he built the jib he’s using?!?)
Video / Sound editing - Amanda Dillard
Band - Dug Hampton, Fritz Schindler, Amanda Dillard and J.D. Shanks